bianchi_63e9thst_banner_3.jpg
 
Untitled, 087 63 E 9th Street | NYC Polaroids 1975 - 1983 Unique SX-70 Polaroid, artist frame, Optium Museum Acrylic  4.2 x 3.5 in (10.7 x 8.9 cm) 10.75 x 9.25 x 1 in (27.3 x 23.5 x 2.5 cm) Framed

Untitled, 087
63 E 9th Street | NYC Polaroids 1975 - 1983
Unique SX-70 Polaroid, artist frame, Optium Museum Acrylic
4.2 x 3.5 in (10.7 x 8.9 cm)
10.75 x 9.25 x 1 in (27.3 x 23.5 x 2.5 cm) Framed

 

DATES:      

June 5 – July 5, 2019
Artist Reception Wednesday June 5th 2019 6-8pm

New Discretions is proud to present Tom Bianchi’s “63 E 9th Street.” This is our first collaboration with the artist, corresponding with his latest monograph of the same title. The exhibition will take place at Johannes Vogt’s Next Door Guest at 958 Madison Ave.


In 1975, Tom Bianchi moved to New York City and took a job as in-house counsel at Columbia Pictures. That first year Bianchi was given a Polaroid SX – 70 camera by Columbia Pictures at a corporate conference. He took that camera to the Pines on summer weekends (those pictures became the book, Fire Island Pines. Polaroids 1975 – 1983), but he also employed the camera in his NYC apartment at 63 E 9th Street. Whereas Fire Island is an expansive communal experience happening on a sunny sand bar outside of the city under huge open skies, Bianchi’s New York apartment was an intimate track lit den, a safe stage where he and his friends invited each other to play out their erotic night games. These images take us behind the closed door of his apartment. “We were in the early days of a revolution that seemed inevitably headed to a more loving, playful and tolerant way of being. We were innocents,” Bianchi recalls.
 
It is an essential document of urban gay life, a time before the AIDS crisis, full of intimacy and experimentation. It is personal. Michael Denneny has written, “Tom’s photographs were a life-affirming testimonial to the way we aspire to live now.”
 
Bianchi is a person of many pasts. While best known for his iconic photographs, he was first a corporate lawyer, then a painter. Betty Parsons and Carol Dreyfuss hosted his first one-man painting show in 1980, leading to a favorable review by Hilton Kramer. Composed of densely layered strips of paper, each obsessively painted with acrylic and often using materials at hand such as Polaroid cases and grocery bag handles, these opulent large-scale works were abandoned when Bianchi’s partner, David Peterson, died of AIDS in 1988. The future was uncertain and photography had an immediacy that seemed crucial at the time.
 
Now, nearly 40 years later, Bianchi has begun re-exploring painting. A series of puzzle pieces and doors are the backdrop for these works, filled with private codes and photographs, all shot in the 63 E 9th Street apartment with a cheap plastic Haminex 35mm camera on black-and-white film. In fact, they are shot on the same evenings that appear as chapters in the show. Referred to as “tablets,” these new compositions are a bridge between his early abstract work and his photographic legacy.
 
This is the first exhibition of this work, both the photographs and the painted constructions.

Tom Bianchi has published 16 books of photographs, poems, and essays primarily covering the gay male experience. In 1990, St. Martin’s Press published Out of the Studio, Bianchi’s book of male nudes, frankly gay and affectionally connected. Fire Island Pines Polaroids 1975–1983 was honored by Time magazine’s list of the Best Photo Books of 2013. Published this year, 63 E 9th Street is available through Damiani Press.
 
Bianchi’s work has been shown in galleries and museums from Tokyo to Berlin and Cologne and throughout the US and Canada for over 30 years, including Jean Albano Gallery (Chicago); Milwaukee Art Institute; Fahey Klein Gallery (Los Angeles). In 1984, he was given his first solo museum exhibition at the Spoleto Festival in Charleston, South Carolina. His semi-abstract large-scale constructions have been commissioned for a host of clients including IBM, Bank of America and Saks 5th Avenue.  
 
Book Available


New Discretions is a curatorial project by Benjamin Tischer of INVISIBLE-EXPORTS. Next Door Guest is a project by Johannes Vogt, located at 958 Madison Avenue on the second floor. Gallery hours are Tuesdays through Saturdays, 11am-6pm, and by appointment. For more information, email: benjamin@newdiscretions.com.


Untitled, 020 63 E 9th Street | NYC Polaroids 1975 - 1983 Unique SX-70 Polaroid, artist frame, Optium Museum Acrylic  4.2 x 3.5 in (10.7 x 8.9 cm)

Untitled, 020
63 E 9th Street | NYC Polaroids 1975 - 1983
Unique SX-70 Polaroid, artist frame, Optium Museum Acrylic
4.2 x 3.5 in (10.7 x 8.9 cm)

Bob and Mike 1 , 2018 63 E 9th Street Tablets Canvas, museum board, wood, paper, acrylics, metallic paint, ink jet photographs 21.5 x 16 x 3.25 in (54.6 x 40.6 x 8.3 cm)

Bob and Mike 1, 2018
63 E 9th Street Tablets
Canvas, museum board, wood, paper, acrylics, metallic paint, ink jet photographs
21.5 x 16 x 3.25 in (54.6 x 40.6 x 8.3 cm)

 

RECENT PRESS

INTERVIEW MAGAZINE | Tom Bianchi Exposes Himself - And His Lovers | 63 E 9th Street | May 2019

VISUAL AIDS | Charles Renfro on Tom Bianchi | May 2019

ANOTHER MAN | Tom Bianchi’s Beautiful Polaroids of New York’s Newly Liberated Gay Men | May 2019

L’OFFICIEL USA | Tom Bianchi’s Latest Book Aims to Cure Sexual Repression | May 2019